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Article

Drake, Philip and Smith, Angela (2016) Belligerent broadcasting, male anti-authoritarianism and anti-environmentalism: the case of Top Gear (BBC, 2002–2015). Environmental Communication, 10 (6). pp. 689-703. ISSN 1752-4032

Book Section

Drake, Philip ORCID: https://orcid.org/0000-0002-4196-6683 (2021) A 21st-century gold rush? Video on Demand and the global competition for UK television. In: A European Television Fiction Renaissance: premium production models and transnational circulation. Routledge Advances in Television Studies . Routledge, pp. 71-85. ISBN 9780367345402 (hardback) 9780367641870 (paperback); 9780429326486 (ebook)

Drake, Philip (2019) From Co-productions to ‘Co-distributions’? Re-evaluating Distribution Policies for European Film. In: European Film and Television Co-production Policy and Practice. Palgrave Macmillan. ISBN 3319971565

Drake, Philip ORCID: https://orcid.org/0000-0002-4196-6683 (2018) Becoming Hal Ashby: Intersectional Politics, the Hollywood Renaissance and Harold and Maude (1971). In: The Hollywood Renaissance Revisiting American Cinema's Most Celebrated Era. Bloomsbury Academic. ISBN 1501337882

Carman, Emily and Drake, Philip (2015) Doing the Deal: Talent Contracts in Hollywood. In: Hollywood and the Law. British Film Institute. ISBN 9781844574773

Report

Drake, Philip, Franklin, Michael, Sathe, Deborah and Tierney, Sarah (2015) We Are Colony: Digital VOD Distribution for Independent Film. Research Report. Nesta.