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          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Smith, Ollie
        
    
    
  
(2025)
Between an Ellipsis and an Ouroboros: Reflections on, and repetitions of, The End.
    Performance Research.
    
     ISSN 1352-8165
  
   (In Press)
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Jones, Rhiannon
        
    
    
  
(2025)
Somewhere Between Breathing In and Breathing Out: Making immersive audio work about Long Covid.
    Performance Research.
    
     ISSN 1352-8165
  
   (In Press)
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
        
    
    
  
(2023)
Leaving a space to listen: working with John Berger on Another Way of Telling.
    Études Britanniques Contemporaines, 65.
    
     ISSN 1168-4917
  
  
    
        
 
      
          Babbage, Frances and Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
        
    
    
  
(2023)
Acts of Unsettling: An Immersive Adaptation of Berger and Mohr’s A Seventh Man.
    Arts, 12 (2).
     p. 50.
     ISSN 2076-0752
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Egan, Kevin 
ORCID: https://orcid.org/0000-0002-9404-6733
        
    
    
  
(2022)
Staging Scores: Devising Contemporary Performances from Classical Music.
    Representing Classical Music in the Twenty-First Century, 7 (457).
    
    
  
  
    
        
 
      
          Babbage, Frances and Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
        
    
    
  
(2020)
Radical Hospitality: Immersing the Audience in A Seventh Man.
    Contemporary Theatre Review, 30 (4).
    
     ISSN 1026-7166
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Jones, Rhiannon
        
    
    
  
(2019)
Treasuring detritus: Reflections on the wreckage left behind by artistic research.
    Performance Research, 24 (5).
     pp. 101-104.
     ISSN 1469-9990
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
        
    
    
  
(2019)
Staging Landscapes, Turning Pages: The scenography of A Fortunate Man.
    Contemporary Theatre Review, 29 (3).
     pp. 351-354.
     ISSN 1477-2264
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Mangan, Michael
        
    
    
  
(2019)
Somewhere between remembering and forgetting: Working across generations on The Middle.
    Performance Research, 24 (3).
     pp. 122-131.
     ISSN 1469-9990
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
        
    
    
  
(2018)
Open your eyes: working with my children on Sit with me for a moment and remember.
    Performance Research, 23 (1).
     pp. 113-116.
     ISSN 1469-9990
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Westerside, Andrew
        
    
    
  
(2018)
Acts of communion: encountering taste in Reckless Sleepers’ The Last Supper.
    Performance Research: a journal of the performing arts, 22 (7).
     pp. 57-66.
     ISSN 1352-8165
  
  
Pinchbeck, Michael (2016) No rehearsal is necessary: The man who flew into space from his apartment. Repertorio: Teatro & Danca, 27. pp. 59-68. ISSN 2175-8131
Book Section
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Smith, Ollie
        
    
    
  
(2024)
Bolero.
    
            In: 
      Following the Score: The Ravel Trilogy.
    
    
      Playtext
      .
    
    Intellect, Bristol, pp. 25-55.
     ISBN 9781789389333 (hardback); 9781789389357 (ebook); 9781789389340 (ebook)
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Smith, Ollie 
ORCID: https://orcid.org/0000-0001-5656-9931
        
    
    
  
(2024)
Concerto.
    
            In: 
      Following the Score: The Ravel Trilogy.
    
    
      Playtext
      .
    
    Intellect, Bristol, pp. 73-94.
     ISBN 9781789389333 (hardback); 9781789389357 (ebook); 9781789389340 (ebook)
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Baynton, Rachel
        
    
    
  
(2022)
Co-creation.
    
            In: 
      Routledge Companion to Audiences and the Performing Arts (2020).
    
    
    Routledge.
     ISBN 9780367470753
  
  
Conference or Workshop Item
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549 and Lo, Lan
        
    
    
  
(2022)
Talking Trees/树说/述说: a virtual journey to the East in the time of the Covid-19 pandemic.
    In: The Migration Conference 2022, 07 September 2022 - 10 September 2022, Rabat, Morocco.
  
  
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
        
    
    
  
(2022)
Immersive archives: making "Sit with us for a moment and remember".
    In: Telling Stories: An International Conference on Music Archives and Heritage Narratives,, 17 November 2022 - 19 November 2022, Manchester Metropolitan University.
  
   (In Press)
Book
    Westerside, Andrew and Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
  
(2018)
Staging Loss: Performance as Commemoration.
    
    
    Palgrave Macmillan.
     ISBN 978-3-319-97970-0
  
  
Performance
    
        
 
      
          Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
        
    
    
  
(2021)
Sit with us for a moment and remember.
    [Performance]
  
   (Unpublished)
    
        
 
      
          Lo, Lan and Pinchbeck, Michael ORCID: https://orcid.org/0000-0001-8444-5549
        
    
    
  
(2021)
Talking Trees / 树说/述说.
    [Performance]
  
   (Unpublished)
