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Carr, Paul and Challis, Ben ORCID: https://orcid.org/0000-0002-0200-8087 (2020) The Impossible Made Real: A Typology of Loops and an Exploration of the Impact of Immediacy and Hypermediacy in Popular Music. IASPM Journal, 10 (1). pp. 43-58.

Wigham, P and Challis, B ORCID: https://orcid.org/0000-0002-0200-8087 (2020) Real-time measurement and analysis of audience response. In: ArtsIT 2019 – 8th EAI International Conference: ArtsIT, Interactivity & Game Creation, 06 November 2019 - 08 November 2019, Aalborg, Denmark.

Challis, B ORCID: https://orcid.org/0000-0002-0200-8087, Hildred, M and Bailey, JR (2020) Commentary on “Multisensory rooms: essential characteristics and barriers to effective practice”. Tizard Learning Disability Review, 25 (2). pp. 77-81. ISSN 1359-5474

Challis, BP, Hildred, M, Kang, A and Rimmer, R (2017) Enhancing the Multisensory Environment with Adaptive Game Audio Techniques. In: 5th International Conference, ArtsIT 2016, and First International Conference, DLI 2016, 02 May 2016 - 03 May 2016, Esbjerg, Denmark.

Challis, B and Carr, P (2015) Quand l'impossible devient réel : typologie des boucles, impact de l'immédiat et de l'hypermédia sur la pop music. In: Boucle et répétition, Musique, littérature, arts visuels. Presses Universitaires de Liège, pp. 85-102. ISBN 9782875620484

Challis, B ORCID: https://orcid.org/0000-0002-0200-8087 and Dean, R (2014) Defining digital-Foley for live performance. International Journal of Arts and Technology, 7 (4). pp. 339-355. ISSN 1754-8853

Challis, B ORCID: https://orcid.org/0000-0002-0200-8087 (2011) Octonic: an accessible electronic musical instrument. Digital Creativity, 22 (1). pp. 1-12. ISSN 1462-6268