Browse by Author

Barber, Fionna ORCID: https://orcid.org/0000-0002-2181-2150 and Gilson, Jools
(2024)
Stormy Weather: textile art, water and climate emergency.
Textile: the journal of cloth and culture, 22 (3).
pp. 515-527.
ISSN 1475-9756
Barber, Fionna ORCID: https://orcid.org/0000-0002-2181-2150
(2024)
Women in Long Kesh/Maze prison: We Were There (2014), memory and visuality.
In:
The Routledge Handbook of the Northern Ireland Conflict and Peace.
Routledge, London, pp. 277-288.
ISBN 9781032124001 (hardback); 9781003224372 (ebook)
Byrne, Eleanor ORCID: https://orcid.org/0000-0003-1976-0897 and Barber, Fionna
ORCID: https://orcid.org/0000-0002-2181-2150
(2020)
Brexit wounds : arts and humanities responses to leaving the EU.
The Open Arts Journal (8).
pp. 3-14.
ISSN 2050-3679
Barber, Fionna (2018) Performative Self-Portraiture, Femmage, and Feminist Histories of Irish Art: Amanda Coogan’s Snails, after Alice Maher (2010). Etudes Irlandaises, 43 (1). ISSN 2259-8863
Barber, FC (2017) Surrealist Ireland: the Archaic the Modern and the Marvellous. In: A Companion to Modern Art. Wiley-Blackwell, Hoboken NJ. ISBN 978-1-118-63984-9
Barber, FC (2017) Race, Irishness and Art History: Margaret Clarke's 'Bathtime at the Creche' (1925), Motherhood and the Matter of Whiteness. In: Narratives Unfolding: National Art Histories in an Unfinished World. McGill University Press, pp. 62-80. ISBN 9780773549791
Barber, FC (2016) Constructing Constance (and Some Other Women). Highlanes Gallery, Drogheda, Ireland.