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O'Shea, Susan ORCID: https://orcid.org/0000-0002-9347-7160 and Størvold, Tore (2024) On Dissonant Landscapes: Tore Størvold and Susan O’Shea, in conversation. IASPM Journal, 14 (1). pp. 201-209.

O'Shea, Susan ORCID: https://orcid.org/0000-0002-9347-7160 and Surtees, Alison (2024) Re-membering music worlds: exhibiting the rebel women of Manchester’s Suffragette City. Popular Music and Society, 47 (2). pp. 199-218. ISSN 0300-7766

O'Shea, Susan ORCID: https://orcid.org/0000-0002-9347-7160 (2023) ‘Take me to Church': developing music worlds through the creative peripheral placemaking and programming of Other Voices. In: Popular Music Scenes: regional and rural perspectives. Pop Music, Culture and Identity . Palgrave Macmillan, pp. 83-97. ISBN 9783031086144 (hardcover); 9783031086175 (softcover); 9783031086151 (ebook)

O'Shea, Susan ORCID: https://orcid.org/0000-0002-9347-7160 (2020) Activate, Collaborate, Participate. The network revolutions of Riot Grrrl affiliated music worlds. Punk and Post Punk, 9 (2). pp. 309-325. ISSN 2044-1983

O'Leary, Chris ORCID: https://orcid.org/0000-0002-4097-8439, O'Shea, Susan ORCID: https://orcid.org/0000-0002-9347-7160 and Albertson, K ORCID: https://orcid.org/0000-0001-6678-5590 (2018) Homelessness and the Private Rented Sector. Project Report. Manchester Metropolitan University.

O'Shea, SM (2014) Embracing Difference in Feminist Music Worlds: a Ladyfest case study. In: Social Networks and Music Worlds. Routledge. ISBN 9780415718882