Kennedy, RMC (2015) Outside Chinatown: the evolution of Manchester's Chinese Arts centre as a cultural translator for contemporary Chinese art. Modern China Studies (1). p. 58. ISSN 2160-0317
|
Available under License In Copyright. Download (786kB) | Preview |
Abstract
In light of the Chinese Art Centre (CAC)’s recent rebrand to the Centre for Contemporary Chinese Art (CFCCA), this case study endeavours to trace the organisation’s ontological trajectory from its origins in Manchester’s Chinatown to its current location, considering how its purpose and focus have changed in relation to how it identifies and translates Chinese Art to a local and/or global audience. Furthermore, I consider how the organisation has both addressed and embodied changing diversity discourses in Britain through its mission to represent Chinese culture1.
Impact and Reach
Statistics
Additional statistics for this dataset are available via IRStats2.