Nelson, Robin (2007) State of play: contemporary "high-end" tv drama. Manchester University Press. ISBN 0719073103Full text not available from this repository.
Robin Nelson's State of play updates and develops the arguments of his influential TV drama in transition (1997). It is equally distinctive in setting analysis of the aesethetics and compositional principles of texts within a broad conceptual framework (technologies, institutions, economics, cultural trends). Tracing 'the great value shift from conduit to content' (Todreas, 1999), Nelson is relatively optimistic about the future quality of TV drama in a global market-place. But, characteristically taking up questions of worth where others have avoided them, Nelson recognises that certain types of 'quality' are privileged for viewers able to pay, possibly at the expense of viewer preference worldwide for 'local' resonances in television. The mix of arts and cultural studies methodologies makes for an unusual and insightful approach.
|Divisions:||Legacy Research Institutes > MIRIAD: The Manchester Institute for Research and Innovation in Art and Design > Drama, Dance and Performing Arts Research Centre
Legacy Research Institutes > Institute for Performance Research > Performance & Screen Media
|Date Deposited:||04 Dec 2009 11:47|
|Last Modified:||15 Sep 2016 13:46|
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