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From Gaze to Witness: Masculinity and Loss in George Shaw’s Paintings of Tile Hill

Oliver, Elisa (2018) From Gaze to Witness: Masculinity and Loss in George Shaw’s Paintings of Tile Hill. FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts (27). ISSN 1749-9771

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Abstract

This paper explores the gaze as witness in George Shaw’s paintings of Tile Hill. Considering Shaw’s process of making in the series ‘Scenes of the Passion’ (1990-2017) the paper addresses the relationship of site, memory and gaze in a negotiation of masculinity and loss in these images.

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